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Ashley Rincon

When she is not writing about the human experience or her most recent world cinema favorite, Ashley enjoys fawning over François Truffaut, reading Immanuel Kant, or drinking coffee black as midnight on a moonless night.

Latest story

Lelia (Lelia Goldoni)
in Film Analysis, Filmmakers

John Cassavetes Retrospective: Shadows

More stories

  • Lelia (Lelia Goldoni)
    in Film Analysis, Filmmakers

    John Cassavetes Retrospective: Shadows

    October 3, 2022, 12:00 am

  • A man and a white horse stare at a storm cloud formation

    1 Comment

    in Film Analysis

    Feeding the White Watcher in Jordan Peele’s Nope

    August 30, 2022, 12:01 am

  • in Film Analysis

    Flightplan for The Wrong Man

    June 10, 2022, 12:00 am

  • in World Cinema

    Living a Life that Nobody Knows

    July 6, 2020, 12:00 am

  • Sam contemplates a futuristic device
    in Cult Film, The Criterion Collection

    No Return to Normal: Terry Gilliam’s Brazil in the Age of COVID-19

    June 9, 2020, 12:00 am

  • Dr. Melfi sits across from Tony Soprano in her office
    in Film Analysis

    When the Movies Are Your Therapy

    June 5, 2020, 12:00 am

  • Al Pacino in The Godfather Part III
    in Organized Crime

    The Godfather Part III: The Christmas Gift we Did not Deserve

    June 4, 2020, 12:00 am

  • a woman looks sullenly down as she stands in front of a man his face turned from hers

    1 Comment

    in Art House, Surrealism

    Last Year at Marienbad

    March 15, 2019, 1:30 am

  • in Retrospectives, World Cinema

    Revisiting 71 Fragments of a Chronology of Chance

    February 6, 2019, 2:00 pm

  • in Drama

    The Will To Survive When All Is Lost

    January 21, 2019, 2:00 pm

  • in World Cinema

    Liberty, Equality & Fraternity: Three Colours White

    January 15, 2019, 2:00 pm

  • in World Cinema

    Forgive Us Our Debts: A Netflix Original Film

    January 14, 2019, 2:00 pm

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