The Online Film Critics Society (OFCS) announces nominees for their top film honors of 2024; winners will be announced on January 27th. Denis Villeneuve’s Dune: Part Two is leading with nine nominations. Other films earning multiple nominations include Brady Corbet’s The Brutalist (8), Edward Berger’s Conclave (7). and Coralie Fargeat’s The Substance (7). Additionally, Anora, Nickel Boys and Wicked each earn six nominations across the many categories.

Comprised of nearly 300 voting members from around the world who represent outlets including Variety, The Hollywood Reporter, Slant, Paste Magazine, AARP, Sight & Sound, Screen Anarchy, Collider, The Film Stage and many more, the Online Film Critics Society annually presents traditional awards including Best Picture, Director, Actor and Actress, among others. Founded in 1997, members of the OFCS explore the nature of film from historical, sociological, political, emotional, technical, and other perspectives, appreciating film as a medium for art and a mode of entertainment. Film Obsessive Editor-in-Chief Don Shanahan is a long-standing member of the OFCS.
The 2024 Online Film Critics Society Awards honor a broad list of films and creators from around the globe, including box office blockbusters and independent gems alike, for a total of more than 30 films nominated across eighteen categories. A complete list of nominees is below:
Best Picture:
Anora
The Brutalist
Challengers
Conclave
Dune: Part Two
I Saw the TV Glow
Nickel Boys
Nosferatu
The Substance
Wicked
Best Animated Feature:
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot
Best Directing:
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two
Best Actor:
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Sebastian Stan – A Different Man
Best Actress:
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Fernanda Torres – I’m Still Here
Best Supporting Actor:
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Best Supporting Actress:
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande-Butera – Wicked
Margaret Qualley – The Substance
Isabella Rossellini – Conclave
Zoe Saldaña – Emilia Pérez
Best Original Screenplay:
Anora
The Brutalist
Challengers
A Real Pain
The Substance
Best Adapted Screenplay:
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing
Best Editing:
Anora
Challengers
Dune: Part Two
Nickel Boys
The Substance
Best Cinematography:
The Brutalist
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Best Original Score:
The Brutalist
Challengers
Conclave
Dune: Part Two
The Wild Robot
Best Production Design:
The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked
Best Costume Design:
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked
Best Visual Effects:
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
The Substance
Wicked
Best Debut Feature:
Annie Baker – Janet Planet
India Donaldson – Good One
Vera Drew – The People’s Joker
Anna Kendrick – Woman of the Hour
Josh Margolin – Thelma
Best Film Not in the English Language:
All We Imagine as Light
Emilia Pérez
Flow
I’m Still Here
The Seed of the Sacred Fig
Best Documentary:
Dahomey
Daughters
Soundtrack to a Coup d’Etat
Sugarcane
Will & Harper
About the Online Film Critics Society
Founded in 1997, the Online Film Critics Society (OFCS) is a professional association for online film journalists, historians, and scholars with a mission to further the growth of an informed film audience, to promote awareness of the Internet as a source of news and commentary, to provide a forum for the OFCS members to communicate and discuss ideas about journalism and cinema, and to encourage a high standard of journalism across the online media. The OFCS consists of nearly 300 members around the world; nearly one third of the organization’s membership are based outside of the United States. The Online Film Critics Society explores the nature of film from historical, sociological, political, emotional, technical, and other perspectives and appreciates film as a medium for art and a mode of entertainment. Learn more at www.ofcs.org